Idiots without Borders Ep. 12 Darlene Sam - Navajo Artist
A lost episode
Editors’ Note: This is an OLD episode. Idiots without Borders tells the tale of the Idiot travels from their summer home in Minnesota to their “new” winter home in Arizona in the fall of 2015 and their return to Minnesota in the spring of 2016. On the return trip the Idiots took pictures and had good intentions to share these episodes with friends – but life got busy. So… before the Idiots launch their next set of adventures, they are sharing a few “lost episodes.” This visit to Canyon de Chelly took place on May 3, 2016.
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The Idiots enjoy scenery… but the most memorable experiences always involve people. Idiot She encountered Darlene Sam, a Navajo artist, selling her works from a beat-up pickup truck in the parking area of a canyon viewpoint.
Most intriguing were the pots. Darlene makes square pots. Most principles of art from European origins involve circles and odd numbers… threes and sevens… Most pots worldwide are round. But the Navajo have art and myth based on fours… four seasons, four directions, four sacred mountains, four sacred colors, and so on – thus the four-sided pots.
Darlene enthusiastically described the details of her pots. These are “storyteller” pots.
The bottom is inscribed with her sister’s basket pattern. The corners are her mother’s pattern. Since the bottom doesn’t usually show, the basket pattern combined with feathers completes the top and lid of the pot.
The four sides tell four stories.
One side tells of her life as a Navajo. It is easy to pick out the traditional six-sided home, the Hogan. There’s a weaver at a loom… and the summer house made of sticks where much of the living and cooking takes place during mild weather. There’s a tree and a yucca plant and clothesline, a hoe and a wagon… all looked over by the canyon walls an ruins.
Another side tells of Kokopelli… the hunchbacked flute player god that is depicted thousands of times in stone art around the southwest for at least a thousand years. He embodies joy and his flute music brings the warm winds of spring to drive out winter. He is surrounded by a cliff dwelling, a corn plant, the circle/dot that represents day and night, and a lightning bolt.
One side shows an antelope herd… a primary source of meat for the Navajo and one of the few animals whose horns are used in rituals.
And one side is illustrated in ancient rock art symbols… the ancient form of Kokopelli at the top middle… and counter-clockwise, the symbol for day and night, the four-pronged symbol for a star, the interwoven arcs that symbolize marriage, the water wave, the scorpion, the square maze symbol for echoes, and five dots representing a calendar.
Of course, the Idiots bought the pot. It is a good pot, but it was the encounter – a real human connection with Darlene Sam – that makes it a treasure. The Idiots have their memories… and a video of Idiot She and Darlene discussing Navajo life…
and another picture of another artist’s hands…
Departing Canyon de Chelly, the Idiots spied old friends. Ravens have been their companions for over half a century. Beautiful... magical... graceful acrobats... tricksters... and a little frightening. Old friends!
Idiots without Borders Ep. 12 Darlene Sam - Navajo Artist
Moderator: Chris_W
Re: Idiots without Borders Ep. 12 Darlene Sam - Navajo Art
From the moment I saw the pot in the first pic, I was sure that it went home with you. I'm so glad you have that piece, and the wonderful memories that go with it.
Linda P
Linda P
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And frosts are slain and flowers begotten.....
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Re: Idiots without Borders Ep. 12 Darlene Sam - Navajo Art
Very nice, Jim. It is so much better to buy artwork from the artist. Darlene is a real artist.
You might enjoy perusing the exquisite (and expensive) work of Marvin Blackmore. He has a great story, too.
David
You might enjoy perusing the exquisite (and expensive) work of Marvin Blackmore. He has a great story, too.
David
Re: Idiots without Borders Ep. 12 Darlene Sam - Navajo Art
Thanks Linda and David!
I love Blackmore's stuff. We started collecting - well, mostly looking at and lusting after - native pottery in the 1970s. We were kind of purists... The Hopi made the great pots in the old designs. Navajo were for silver... their pots were garish multi-colored affairs produced for tourists. Ditto for the Navajo "Kachinas" - rip offs a a sacred Hopi tradition, with far too many feathers and no real spiritual soul. Zuni made some crazy colorful pots - interesting, but not great - but they did amazing fetishes and intricate mosaic and small stone chip pieces.
I remember when the first incised pottery started appearing mixed with the more traditional pots. "Serious" folks initially disregarded them as stuff for tourists. But that art evolved and now the good artists are producing pieces to really treasure.
And a lot of the tribal specialization has faded as communication has become more common and many of the Native people have found they have much more in common with each other than they have with the majority white culture... and so there is more inter-tribal support - and less antagonism between artists as so many branch out into areas that before were considered to belong to only specific tribes and pueblos.
So now we have a Navajo pot - never thought it would happen! We even have a Kachina-like carving from a Navajo carver. Times change!
I love Blackmore's stuff. We started collecting - well, mostly looking at and lusting after - native pottery in the 1970s. We were kind of purists... The Hopi made the great pots in the old designs. Navajo were for silver... their pots were garish multi-colored affairs produced for tourists. Ditto for the Navajo "Kachinas" - rip offs a a sacred Hopi tradition, with far too many feathers and no real spiritual soul. Zuni made some crazy colorful pots - interesting, but not great - but they did amazing fetishes and intricate mosaic and small stone chip pieces.
I remember when the first incised pottery started appearing mixed with the more traditional pots. "Serious" folks initially disregarded them as stuff for tourists. But that art evolved and now the good artists are producing pieces to really treasure.
And a lot of the tribal specialization has faded as communication has become more common and many of the Native people have found they have much more in common with each other than they have with the majority white culture... and so there is more inter-tribal support - and less antagonism between artists as so many branch out into areas that before were considered to belong to only specific tribes and pueblos.
So now we have a Navajo pot - never thought it would happen! We even have a Kachina-like carving from a Navajo carver. Times change!
Re: Idiots without Borders Ep. 12 Darlene Sam - Navajo Art
What a lovely pot
Think it will feel at home by you
Think it will feel at home by you
Against stupidity the gods themselves struggle in vain.
E-mail for pics hostapics@gmail.com
E-mail for pics hostapics@gmail.com